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RogerEbert.com

www.rogerebert.comEntertainmentCulture

Thoughtful film criticism in the tradition of Roger Ebert.

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Chicago, Home of Great Music and Newspapers
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Flashback: Chaz Ebert on Watching a Christopher Nolan Movie During the Pandemic
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Black Protagonists Are Transforming Modern Horror Television for the Better
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Celebrating the Life of George E. Johnson, Sr. (1927-2026)
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MUBI Fest 2026: Better Together
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KVIFF 2026: Fruit Gathering, Incinerator, 3 Weeks After
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KVIFF 2026: Wrap-up and Awards
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“Ride or Die”: Two Best Friends, Too Many Lies, and a Good Reason to Get a Fake Passport
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Freaks, Samurais, and Vampires: Our 10 Most Anticipated of Fantasia 2026
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The Purpose of the Journey: Sam Neill (1947-2026)
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He’s Just That Guy: Jeffrey Wright on “Basquiat”
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KVIFF 2026: Lover, Not a Fighter, If Pigeons Turned to Gold, Only Beautiful Things to Look At
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Fascinating New Angle on Legendary Career Explored in The Dreamer’s Path by Brent Simon
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Netflix’s Aggressively Wholesome “Little House on the Prairie” Plays It Safe
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This Is Not Art, This Is Life: Ross McElwee on “Remake” and “Sherman’s March”
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KVIFF 2026: Rose, Black Money for White Nights, Paris Paris
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Join the Golden Age of Piracy in Engrossing “Assassin’s Creed Black Flag Resynced”
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A Leaning Tower of Camp: John Early on “Maddie’s Secret”
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Short Films in Focus: Bob’s Funeral
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Peacock’s “The Five-Star Weekend” Is Way More Than Pedestrian Housewife Melodrama
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KVIFF 2026: The Guest, Dao, The Match
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You Have to Commit: Robert Richardson on “Robert Richardson: The White Devil”
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Fifty Years After the Bicentennial, A Declaration of Independence for American Filmmakers
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2026 Karlovy Vary International Film Festival Preview: 10 Films We Can’t Wait to See
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Through the Window: 10 Times That Foreign Directors Have Looked at America
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10 of Roger Ebert’s Favorite Movies About America
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Apple TV’s “Silo” Falters in Transitional Third Season Silo Season 3
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Annecy 2026: The City of Animation
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“Elle” Does Its Best to Smell Like Teen Spirit