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IndieWire

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Film criticism, industry news, and awards coverage.

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1d ago

IndieWire

The 65mm Show to Watch Is ‘Beef’ Season 2

1d ago

IndieWire

Nathalie Baye, Known for Iconic Roles in ‘Catch Me If You Can,’ ‘Day for Night,’ and More, Dead at 77

1d ago

IndieWire

‘Euphoria’: Sam Levinson on Season 3’s Western Connection and Why They Shot on 65mm Film Stock

1d ago

IndieWire

When 4/20 Lands on a Monday, You Have to Watch Gregg Araki’s ‘Smiley Face’ — OR ELSE!

2d ago

IndieWire

‘Roommates’ Review: Sadie Sandler Navigates the Highs and Lows of Freshman Year in Chandler Levack’s Formulaic Netflix Comedy

2d ago

IndieWire

Jeremy O. Harris on Juggling Theater, ‘Erupcja,’ and Why He Became a Producer

2d ago

IndieWire

Warner Bros.’ Future Slate, Disney’s ‘Infinity Vision,’ Dirty Sodas, and More Lingering Thoughts from CinemaCon

2d ago

IndieWire

David Lowery Turned a Creative Crisis and Late-Night Doubt Into ‘Mother Mary,’ His Most Complex Movie Yet

2d ago

IndieWire

‘Mad Bills to Pay’ Director Joel Alfonso Vargas Knows He’s Living an Indie Film ‘Cinderella Story’

2d ago

IndieWire

How the ‘Blue Heron’ Editor Turned the Director’s Childhood Into One of 2026’s Best Films

2d ago

IndieWire

‘Lorne’ Review: Morgan Neville’s Lightweight Documentary Sees Lorne Michaels as the Last True Guardian of Show Business as We Know It

2d ago

IndieWire

ATX TV Festival Sets Lineup for Inaugural Indie TV Pilot Competition, Adds Indie-Focused Programming

2d ago

IndieWire

Why ‘Beef’ Season 2 Star Charles Melton Keeps Betting on Bold Filmmakers

2d ago

IndieWire

You Oughta Know, ‘The Pitt’ Finale’s Karaoke Credits Scene Is a Gift for the Fans

2d ago

IndieWire

‘The Pitt’ Season 2 Finale Is Open to Interpretation — So Long as You Watch Through the Credits

3d ago

IndieWire

‘The Dog Stars’ Trailer: Jacob Elordi and His Dog Survive Post-Apocalyptic Colorado in Ridley Scott’s Latest

3d ago

IndieWire

‘Avengers: Doomsday’ Steals the Show at Disney’s CinemaCon, but Don’t Forget ‘The Dog Stars’ and ‘Wild Horse Nine’

3d ago

IndieWire

No More Blockbusters Near You? Try Browsing VHS Tapes in a Video Game

3d ago

IndieWire

Netflix Co-Founder Reed Hastings Is Leaving the Streamer in June

3d ago

IndieWire

Paramount Chief David Ellison Makes His Promise to CinemaCon and Delivers Johnny Depp and Billie Eilish

3d ago

IndieWire

Do the Universal Monsters Still Matter, or Are They Already Dead?

3d ago

IndieWire

‘Erupcja’ Review: Charli xcx Ditches Her Boyfriend for a Polish Girl in Light and Breezy Movie About the Upside of Main Character Syndrome

3d ago

IndieWire

Bob Odenkirk’s Transformation Into John Wick Is Just Beginning

3d ago

IndieWire

Ebertfest May Be Celebrating Its ‘Last Dance,’ but ‘It’s Not the End’ of the Beloved Festival

3d ago

IndieWire

Tribeca Festival Reveals 25th Anniversary Lineup with 103 World Premiere Features

3d ago

IndieWire

How Do You ‘Inadvertently’ Get Lorne Michaels to Be Your Next Documentary Subject? Morgan Neville Explains

3d ago

IndieWire

Regina King, Taye Diggs, and More Join Lineup for the 30th Annual American Black Film Festival

3d ago

IndieWire

‘Lee Cronin’s The Mummy’ Review: A Bland, Cruel, and Derivative Creature Feature Only Distinguished by Its Rivers of Projectile Vomit

3d ago

IndieWire

‘Beef’ Season 2 Review: Bigger Is Actually Better in Lee Sung Jin’s Searing Netflix Sequel

3d ago

IndieWire

Michael B. Jordan, Ryan Gosling, and Even Rick Moranis — but No James Bond — Lead Star-Studded Amazon MGM CinemaCon