IndieWire · Brian WelkAmerican Film Market Expands to Include AI and Tech Companies
38m agoIndieWire · Brian WelkWith ‘Charlie and the Chocolate Factory,’ Netflix Has Just Scheduled Its Third Theatrical Release in the Span of 12 Months
1h agoIndieWire · Wilson ChapmanHow Disney’s Direct-to-Video Sequels Paved the Way for an Entire Culture of Mediocre I.P.
2h agoIndieWire · Alison Foreman‘The Wrong Girls’ Review: Kristen Stewart and Alia Shawkat Save the Stoner Movie
2h agoIndieWire · Kate Erbland‘Coyote vs. Acme’ Review: Thank Goodness This Clever Comedy About the Evils of Corporate Greed Was Rescued from Corporate Hell
3h agoIndieWire · David Ehrlich‘The End of Oak Street’ Review: David Robert Mitchell Delivers the Biggest Surprise of the Summer with the Best Dinosaur Movie Since 1993
3h agoIndieWire · Kate Erbland‘Don’t Say Good Luck’ Review: Melanie Lynskey and Sunny Sandler Are Trying to Break Your Heart
3h agoIndieWire · David EhrlichFrom ‘Father Knows Best’ to ‘Final Destination’: How Legacy Sequels Took Over the World
4h agoIndieWire · Brian WelkIndie Specialized Box Office: Chefs, Slashers, Girl Scouts, and Cats Lead Stellar Week for Limited Releases
5h agoIndieWire · Sarah Shachat‘House of the Dragon’ Only Wants to Get More Unhinged from Here
22h agoIndieWire · Anne ThompsonInside the Noah Wyle and Shawn Hatosy Relationship That Anchors ‘The Pitt’ Season 2
22h agoIndieWire · David Ehrlich‘Language Is a Construct, Man’: Why We May Never Get Another Spiritual Sequel Like Richard Linklater’s ‘Everybody Wants Some!!’
23h agoIndieWire · David EhrlichCopyright Is for Suckers: A Brief History of Unofficial Movie Sequels
24h agoIndieWire · Alison Foreman‘The Influencer Project’ Trailer: Chiara King Blurs Fact and Fiction in a Viral Nightmare About Visibility
25h agoIndieWire · Brian WelkParamount Positions ‘Possession’ Remake with Callum Turner and Margaret Qualley as Summer Blockbuster
25h agoIndieWire · Brian WelkA New Free Seminar Teaches Documentary Filmmakers When and How to Opt Out of AI
25h agoIndieWire · Jim HemphillWhen One of the Greatest Directors Who’s Ever Lived Made One of the Greatest Sequels Ever Made
26h agoIndieWire · Jim HemphillAudiences Weren’t Ready For ‘Mars Attacks’ in 1996, but 30 Years Later It Plays Better Than Ever
26h agoIndieWire · Kate Erbland‘Josephine’ Trailer: Beth de Araújo’s Unnerving Sundance Winner Arrives in the Thick of Awards Season
27h agoIndieWire · Christian ZilkoNYFF Announces Full 2026 Spotlight Lineup: ‘Fjord,’ ‘Club Kid,’ ‘Bucking Fastard,’ and More
27h agoIndieWire · David Ehrlich‘Objet a’ Review: Ann Oren’s Spellbinding Tale of Kink, Surgery, and Mushrooms Is a Feast for the Senses
27h agoIndieWire · Ryan LattanzioSandra Hüller Is About to Shatter the Fall Festivals in ‘Rose,’ the Movie Michael Haneke Called a ‘Masterpiece’
28h agoIndieWire · Kate ErblandTIFF 2026 Adds ‘Wild Horse Nine,’ ‘The Liberation,’ ‘Bucking Fastard,’ Plus Full ‘In Conversation With’ Lineup
28h agoIndieWire · Christian Zilko‘Gentle Monster’ Teaser: Léa Seydoux Learns the Unimaginable in Marie Kreutzer’s Child Abuse Drama
28h agoIndieWire · Brian WelkCould ‘Spider-Man: Brand New Day’ Be the First Film to Surpass $1 Billion Domestic?
44h agoIndieWire · Christian ZilkoIndieWire Expands Future of Filmmaking with Return of Los Angeles Summit in October, Lynne Howard Promoted to IndieWire SVP Operations
45h agoIndieWire · Kate ErblandBrady Corbet Looks Back on ‘Mysterious Skin,’ Which He Knew Was Destined to Be an ‘Important Movie’
46h agoIndieWire · Kate Erbland‘Pluribus’ Star Karolina Wydra on the Vince Gilligan Note That ‘Terrified’ Her and How Rhea Seehorn Saved Her
46h agoIndieWire · Brian WelkParamount Is Reportedly Putting Into Writing Its Commitment to Movie Theaters — Will It Make a Difference?
47h agoIndieWire · Brian WelkDo Movie Sequels Really Make More Money? 25 Years of Box Office Data Reveals Mixed Results
2d agoIndieWire · Brian WelkWho Thought Using a Podcast Hosted by AI Dogs to Promote ‘The End of Oak Street’ Was a Good Idea?
2d agoIndieWire · Ryan Lattanzio‘Paper Tiger’ Teaser: James Gray’s Tragic New York Thriller Is One of the Year’s Best-Directed Movies
2d agoIndieWire · Kate ErblandKnow Your Movie Sequel Terms, from Requel to Revival, Legacyquel to Threequel, and More
2d agoIndieWire · Kate ErblandWelcome to IndieWire’s Sequels Week
2d agoIndieWire · Kate Erbland‘Hearing’ Review: Vietnamese Slow-Burn Is a Feast for the Senses
2d agoIndieWire · Ryan LattanzioMeet the 26-Year-Old Who’s Saving L.A. Cinemas
3d agoIndieWire · Christian ZilkoAs ‘Tromeo & Juliet’ Turns 30, Lloyd Kaufman Measures His Success in Fan Tattoos
4d agoIndieWire · Chris O'FaltWhy Do Most Biopics Stink? ‘Tony’ and ‘BlackBerry’ Director Matt Johnson Explains
4d agoIndieWire · Christian Zilko‘Camp Miasma’ Raises an Important Question: How Are Our Favorite Slasher Franchises Doing?
4d agoIndieWire · Alison ForemanHow Can 1980’s ‘The Return of the King’ Spoil Everything — and Ruin Nothing?
4d agoIndieWire · Sarah Shachat‘Teenage Sex and Death at Camp Miasma’ Is Bloodthirsty for Artifice
4d agoIndieWire · Dana Harris16 Years at IndieWire, and My Last Issue of In Development
4d agoIndieWire · Sarah Shachat‘Paradise’ Director Hanelle M. Culpepper on Why Great Sci-Fi Shows Sweat the Small Stuff
4d agoIndieWire · Christian Zilko’Donkey Princess’ Review: A French Fairytale Gets a Stunning Reimagining from Two Animation Legends
5d agoIndieWire · Graham Winfrey‘Super Troopers’ Oral History: Mutiny on the Highway, Adam Sandler’s Advice, and a Real Crime
5d agoIndieWire · Ben TraversThe Secret Is Out: ‘Sugar’ Season 2 Got Good
5d agoIndieWire · David Ehrlich‘I Rarely Wake Up Dreaming’ Review: A Young Queer Couple Tries to Evacuate Kyiv in Isabelle Stever’s Remarkable Portrait of Gender During Wartime
5d agoIndieWire · David Ehrlich‘The Last House’ Review: Wagner Moura and Greta Lee Are Locked Inside by the Rain in Ridiculous Netflix Thriller
5d agoIndieWire · Kate ErblandFor Emmy Nominee Betty Gilpin, ‘Widow’s Bay’ Is ‘the Ultimate F**k You to Safe, Algorithm-Friendly, ChatGPT’ TV
5d agoIndieWire · Chris O'FaltHow Faithful Is ‘Tony’ to Anthony Bourdain’s Life?
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